Quotes from Theatre Reviews
In The Trenches Toronto Fringe
"If I had to be stuck in a trench, I’d want to make sure Peek-A-Boo Pete, played by Greg Dunham, was there with me – this character was a great bright spot. Peek-A-Boo Pete is the oldest of the crew, and he’s survived because of his mix of pragmatism and wry humour. He’s always ready to offer a hand, and not afraid to argue with the Sergeant. His character brings life to the play, and his dancing at the end is a welcome opportunity to laugh - with him, to be sure, as his dancing is full of infectious good humor."
-S. Bear Bergman, Mooney On Theatre, July 9, 2011
The Last Buffalo, Toronto Fringe
"Mr. Dunham is fantastic in The Last Buffalo. His sandpaper-like voice seems particularly well suited to his character's vivid recollections (one of the funniest is an opening monologue). And from these details a gentle, extremely charming and engaging humor emerges."
-Adam Collier, Mooney On Theatre, July 8, 2010
"Andrew Lee's script has some well-written, poignant episodes, many of them for the brother and delivered with a knowledge of life's joys and difficulties by actor Greg Dunham."
-Jon Kaplan, Now Magazine, July 5, 2010
Storm Warning, Port Hope Theatre Festival
"… I have noticed before, that given a good cast, director Uwe Meyer is usually able to work with them and produce a very good show. In this case he has an excellent cast consisting of Veronika Hurnik who played Emma Currie and Greg Dunham who played Jack Forrester, and the result was a correspondingly excellent performance…
What the summary doesn’t tell us is that this play, with just two people, covers the gamut from hilarious, to deep, emotional moving drama.
Veronika and Greg seemed to be totally at home with both moods, and move from one to another seamlessly, and throughout the performance each person appeared to be totally aware of the other on stage. Their pacing is excellent…
…Greg manages to convey the very complex character of a man trying to get away from it all. His character, Jack, is still able to respond to someone from the outside world, with his own dry humour, which sometimes comes out as rather clever asides.
These two actors make every word count…
-Alwyn Horscroft, The Port Hope Evening Guide
June 15, 2006
To Kill A Mockingbird, Neptune Theatre
"And later, Atticus fails to recognize the danger posed by Bob Ewell (in an impressive performance by Greg Dunham), the real gulity party, who is humiliated in the courtroom when his cruelty and depravity become evident."
Marilyn Smulders, Halifax Daily News
September 18, 2005
"The entire ensemble is strong… Greg Dunham, thoroughly threatening and disgusting as daddy, Bob Ewell."
Elissa Barnard, Halifax Chronicle Herald
September 18, 2005
The Blood of A Coward, Praxis Theatre
"Greg Dunham and Erin King do wonderful work as the aging writer (Charles Bukowski) and his young alter ego…"
ABO, Eye Weekly Toronto
July 2, 2004
A Man Looking Out A Window, theatre after all…
"…Dunham paints a vivid and enticing picture throughout his monologue -even though he is the only person on the stage and we can physically see only one character, he is able to spark images of all four people in the imagination of the audience… Greg Dunham has brought us an interesting and thoroughly absorbing story, one which immediately draws the audience’s attention and holds it captive. This high quality work is what we’ve come to expect from Mr. Dunham -and you can be sure I’ll be saving my nickels for his next production."
Randall Perry, Charlottetown Guardian
October 2, 1992
Island Smoke, Theatre Bandwagon
"(Dunham’s) dialogue explodes like a lit match, then drifts gently like smoke. The work is honest -when the charavcters speak, they sound genuine."
Elaine Pedlar, Charlottetown Guardian
April 6, 1992
Count Oederland, UPEI Theatre Society
"Greg Dunham is riveting as the male lead."
Elizabeth Bennett, Charlottetown Guardian
March 20, 1987
The Heirloom, Theatre PEI
"Greg Dunham is the slightly unhinged young man who cannot accept the ghosts of his own past. It is a role he plays frighteningly well.""
John Lunman, Charlottetown Guardian
November 3, 1986
Speed Limit, theatre after all…
"…Dunham , alias Cassady, comes at you from every angle. You are as drawn to him as he is to a world elsewhere… Through relentless digression, recapitulation, a sort of formless telling coupled with tireless physical motion, Dunham compellingly dramatises Cassady’s bitter, cynical, yet reverential relation to the worlds around and inside him."
---, CBC Radio, Fredriction
February 3, 1986
"…Dunham deserves a lot of credit. He tries to capture the tortured life of (Neal) Cassady… with the wide range of emotions that accompany it. His gestures, mannerisms and facial expressions effectively portray Cassady as a self-destructive yet brilliant man, and his country boy southern drawl is entertaining."
Marcia Porter, Charlottetown Guardian
July 10, 1985
Classic Cases, theatre after all…
"…it’s certainly a wonderful vehicle for Ms. Smyth and Mr. Dunham, providing both with a marvelous opportunity to play a broad range of characters and display the full range of human emotions in the play within a play.
All the more credit for developing this work themselves."
Doug Gallant, Charlottetown Guardian
November 8, 1985

Quotes from Reviews of "The
Lookout"
Other figures can command the screen without a line of dialogue to their name -- notably the robbers' fearsome leader Bone (Greg Dunham), whose stony silence is far scarier than the sneering bravado of his underlings. This is a man who knows the value of watching and waiting. When he acts, the results are gruesomely permanent... and neither actor nor director needs to embellish him to get the point across.
-Rob Vaux, Flipside Movie Emporium
Frank manages to imbue nearly every character with a sense of reality way beyond their mere functions to the plot. The one exception to this is Bone (newcomer Greg Dunham), Spargo’s taciturn boss and leader of the gang, who is left to function solely as a menace. This, however, works because he is so menacing, and because it allows Chris to recognize that menace in a cleverly developed scene in which he plans how to turn the tables on the gang. It also works in a refreshing way that’s grounded in the film’s lack of clunky exposition; the viewer is never fed information unless that information is picked up by Chris or Lewis, and since Bone is strictly a menacing figure for them, his lack of character makes sense.
-Kenneth Henke, Mountain Xpress
Greg Dunham, a shadowy Sam Shepard double, is evil personified as the black clad henchman Bone
-Laura Clifford, Reeling Reviews
The most chilling portrayal comes from Greg Dunham as Bone, Gary's right hand man. He generates dread without saying a word
-James Berardinelli, Reelviews
And as Bone, Roy Orbison-lookalike Greg Dunham is fearsome in a detached kind of way.
-Randy Shulman, Washington Metro Weekly
"Scuzzball No. 2 . . . is Bone (Greg Dunham), a longhaired, trench-coated killer who looks like a Matrix character played by Sam Shepard.
-Matt Zeller Seitz, New York Times
Gary's got some criminal friends as well, including one awesome villain named Bone. This guy was an awesome movie villain. He always wore all black, sunglasses, and carried a shotgun. His presence reminded me of The Tall Man from the original Phantasm.
-Llephen, Aintitcoolnews
Greg Dunham, who I’ve never seen in anything ever, is a strong menacing presence as Gary’s main henchman Bone.
--Moriarty, Aintitcoolnews
There are a couple of surprises here, and nicely tuned ones at that, like one bit player being surprisingly competent at crunch time, and Gary's enforcer Bone backing up a dangerous air with truly dangerous actions. (Bone is played by Greg Dunham, a first-time actor making an indelible impression in a role with maybe four lines of dialogue -- Bone has a face like a fist headed right at you, hard.)
-James Rocchi , Cinematical
Gary wants Chris to be the titular lookout while his cronies, including the grim, terrifying Bone (played to fearsome perfection by newcomer Greg Dunham), ...
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Daniels, carefully measured as Chris's blind roommate, stands out by virtue of sheer presence among a bevy of unrewarding supporting slots. These include Sergio Di Zeo as a local police deputy so inhumanly upbeat that dangling him in danger when time comes for the film to "get dark" is the equivalent of tossing an infant in front of a truck and calling it gravitas, and Greg Dunham as a sepulchral trenchcoat-and-shades killer wrenched from the study hall doodles of a socially maladjusted 14-year-old.
-Nick Pinkerton, Reverse Shot
Greg Dunham, who makes his feature film debut in The Lookout, plays Bone, the strongman. The evil that exudes from him, and the enigma that he is, raised the hair on my neck and gave me goose bumps. He doesn’t even speak a line until the last third of the movie, yet his presence is just plain bloodcurdling
-Kathy Bledsoe, Past the Popcorn
…and not to mention an eerie performance from newcomer Greg Dunham as the speechless and creepy Bone.
-ScreenHead
The thugs—who include the usual lunkhead (Morgan Kelly) and a very grim-looking shooter named Bone (Greg Dunham, channeling Lance Henricksen)—
-Cynthia Fuchs, PopMatters
The Lookout goes the opposite route – its characters aren’t ever likely to make any splash bigger than this town they live in, and most of the violence is implied in the face of the dark and inscrutable Bone (Greg Dunham), Spargo’s heavy man with the appropriately-skeletal features.
Nick, The Theory of Chaos
Side note: I love that Jeff Daniels is in this movie. Also, the guy who plays Bone (Greg Dunham) is kinda pretty menacing.
-Martinis and Vinyl

with Veronika Hurnik in "STORM WARNING"

with Don Berns and Alex Fiddes in "THE LAST BUFFALO"